Information and Image resource for the artist Mike Janes

 

Mike Janes (b 1953)UK

Mike Janes worked in the building industry for many years, and has first hand experience of the behaviour and characteristics of concrete, plaster, bitumen, render and other building materials. These inform his artistic expression when art making, many of his shapes and textures are directly inspired by the movements and skills integral to the process of construction.

In his late 40s, he obtained a BA Hons Fine Art in Context from the University of the West of England.
Drawing upon his years of experience as a manual worker, Mike works now mainly using building materials creating works both for the interior and exterior. His studio is located in a spectacular former quarry in Weston-super-Mare.

 

STATEMENT

My background in the building industry is the greatest influence on me as an artist.


I am directed by the challenge of creating vibration and movement in a static medium, and the work reflects the concept of manual work as a sub-conscious art-making. Through colour, texture and the use of traditional building materials, I explore some of these scientific and philosophical interpretations in an abstract form.

I believe in vision and process. I render ideas through the tactile embrace of materials such as concrete, bitumen, tarmac, render, plaster, paint, clay and stone. The materials speak for themselves and the works are resolved through a process of addition and subtraction. The result is often a transformed silhouette of a flat image into a three-dimensional statement.

The essence of my work is simplicity simplicity of line and curvilinear form, the simplicity of perceived fluid working motions.

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Drawing upon his years of experience as a manual worker, Mike works now mainly using building materials creating works both for the interior and exterior. His studio is located in a spectacular former quarry in Weston-super-Mare.
This current series of works directly examines and reflects the effects of manual labour on the building site and its effect on the skin, mind and body.
Rather than using traditional painting methods and media, Mike chooses to compound the imagery, using the very same materials and skills associated with the building trade. He expresses a wide variety of techniques by using different finishes and colour treatments.